Monday, December 20, 2010

52 Weeks 52 Works 2011 Now Available


The 9th edition of 52 Weeks 52 Works 2011 is now available. To obtain a copy please fill out the Contact Form. To view this calendar and previous year's calendars, or to access a submission form for the 2012 calendar please visit the new 52 Works 52 Weeks page on our website.

52 Weeks 52 Works is a weekly desk planner featuring artwork from Northeast Ohio artists. The collection represented ranges from sculpture to painting, photography to ceramics (professional, student and amateur artwork showcased). The introductory pages act as a “corporate capabilities brochure” highlighting AGC’s various marketing and print related services.

This calendar seeks to demonstrate the power of expressing ideas effectively through print and how innovative, forward-thinking individuals and groups can draw on each other’s expertise to make a bigger difference together.

AGC believes in the talent of our region and the impact “buying local” can have on the vitality of our economy. The 9th publication of 52 Weeks 52 Works seeks to showcase two of our local assets: Northeast Ohio’s dynamic creative community and the myriad of marketing and print related services AGC provides to over 150 local businesses, non profit organizations and educational institutions.

Through our unique efforts, AGC has stayed committed to the renewable print medium and its potential to make a difference in people’s lives while demonstrating how environmental issues can be proactively addressed.

To learn more about production, distribution or personalizing this calendar for your business please contact Candice Champion or call 216-661-2550.

I Am a Printer

Thought provoking poem regarding the history and power of the printed page:

I Am a Printer
By Frank Romano

I have been around for 560 years
I invented the Renaissance and caused the Reformation
I have recorded war and peace

My pamphlets and documents created America
I take ideas and information and make them tangible
I print lofty Bibles and lowly forms

I am a printer

I help you promote and inform and entertain
My catalogs and direct mail are a spur to action
Like calling, clicking, or visiting
I communicate your brand and facilitate your marketing

I am a printer

I preserve and protect your most precious memories
My greeting cards say what you feel
My photo books are your families' legacies
Freedom of the press began with me
I am still the reasoned and reliable history of our times

I am a printer

I put ink on paper and plastic and other materials
I produce packages and publications and products
My business is an extension of your business
Print and paper will transcend the digital age
Because print gets attention

Print is not a momentary image on a screen
You feel print in your hand even fleetingly
And that is its power: it moves you without moving

I am a printer

My industry and I care about the environment
I deal with responsible paper and ink suppliers
I recycle and conserve and reduce waste
I am your partner in progress

I am your printer


-Frank Romano

© 2010 Frank Romano. All rights reserved. Your comments are encouraged. You're free to forward this email to friends and colleagues. However, no part of this column may be reprinted without permission from the author.

Wednesday, September 22, 2010

52 Weeks 52 Works - Now accepting 2011 Submissions

52 Weeks 52 Works is AGC's annual desk calendar showcasing 52 different works of art corresponding to the 52 calendar weeks. The calendar has served as a stage for the creative community of Northeast Ohio for the past 8 years. The calendar seeks to demonstrate the power of expressing ideas effectively through print and the myriad of collaborative opportunities available with Northeast Ohio's creative community. Previous collections have ranged from sculpture to painting, photography to ceramics.



Frequently Asked Questions Regarding Submission:

When is the submission deadline?
The deadline for submission is October 1, 2010.

Is there a fee to participate?
There are no exchange of monies – we don’t pay you and you don’t pay us.

How often will my artwork be used?
If selected, your artwork will appear in the 2011 Calendar. We do not use the your artwork for any other promotional purposes (aside from the calendar).

Will you return my submitted materials?
Any hard copy items supplied (slides, prints, or original artwork) will be returned to you when the calendar is complete. Any digital submission or CDs will be destroyed after publication.

Will I receive a copy of the calendar?
Each participating artist will receive 2 copies of the calendar. These calendars will be shipped via UPS to the address you supply on your submission form.


What is the preferred method of submission?
Digital submissions of at least 300 dpi at 5 x 7 inches burned to a CD and mailed to us along with your completed submission form or uploaded to our FTP site is the preferred format for submission. Our FTP site can be accessed via our Website. Please enter your information in the white box at the right. In the Subject Box please enter 52 Weeks, in the Message Box please enter your full name and the title of your piece.

May I submit more than one image?
You are welcome to submit multiple images, but we do ask that each image is accompanied by it’s own submission form.

Can I purchase additional copies of the calendar?
Upon completion 2500 calendars will be distributed to local Companies and Non Profit Organizations throughout Northeast Ohio. Every artist who submits will receive 1 calendar and every selected artist will receive 2 calendars. You may contact AGC in January to inquire if additional calendars will be available.

For more information please contact Candice Champion at CandiceChampion@agcinc.org.

Wednesday, August 25, 2010

Coffee roaster offers Custom Blends for Non Profit's Fundraising



"In most fundraising schemes, the group raising the money buys something to sell at a profit—wrapping paper, for example, or chocolate bars. California-based Newhall Coffee, however, now offers a program that lets groups sell custom, branded java blends on an ongoing basis and receive quarterly donations in return.

Launched last month, Newhall Coffee for a Cause allows qualified nonprofits to sell the blends of their choice from the microroaster and receive a significant percentage of the proceeds from every purchase in return. Nonprofits begin by signing up with Newhall; if it approves their request, it then sends login information. From there, they can use Newhall's easy-to-use marketing platform to launch a custom web page, complete with a unique web address. Newhall has customizable fliers, brochures, postcards and other marketing materials to help promote sales of its custom-branded and -blended coffees. Each time someone buys coffee from the nonprofit, the order is processed on its site and then filled and shipped directly by Newhall, which contributes between USD 3 and USD 6 per bag as a donation on a quarterly basis.

Besides all the many benefits for the nonprofits involved, of course, there's no denying the generosity benefits that accrue to Newhall itself, not to mention all those increased sales. It's similar in some ways to a “buy one, donate one” scheme, but adjusted to make room for the nonprofits involved. One to emulate in your own, generosity-minded brand...?"

Website: www.newhallcoffeeforacause.com
Contact: mitch@newhallcoffee.com

Wednesday, August 4, 2010

52 Weeks 52 Works - 2011 AGC Desk Calendar - FAQ

52 Weeks 52 Works is AGC's annual desk calendar showcasing 52 different works of art corresponding to the 52 calendar weeks. The calendar has served as a stage for the creative community of Northeast Ohio for the past 8 years. The calendar seeks to demonstrate the power of expressing ideas effectively through print and the myriad of collaborative opportunities available with Northeast Ohio's creative community. Previous collections have ranged from sculpture to painting, photography to ceramics.



Frequently Asked Questions Regarding Submission:

When is the submission deadline?
The deadline for submission is October 1, 2010.

Is there a fee to participate?
There are no exchange of monies – we don’t pay you and you don’t pay us.

How often will my artwork be used?
If selected, your artwork will appear in the 2011 Calendar. We do not use the your artwork for any other promotional purposes (aside from the calendar).

Will you return my submitted materials?
Any hard copy items supplied (slides, prints, or original artwork) will be returned to you when the calendar is complete. Any digital submission or CDs will be destroyed after publication.

Will I receive a copy of the calendar?
Each participating artist will receive 2 copies of the calendar. These calendars will be shipped via UPS to the address you supply on your submission form.


What is the preferred method of submission?
Digital submissions of at least 300 dpi at 5 x 7 inches burned to a CD and mailed to us along with your completed submission form is the preferred format for submission.

May I submit more than one image?
You are welcome to submit multiple images, but we do ask that each image is accompanied by it’s own submission form.

Can I purchase additional copies of the calendar?
Upon completion 2500 calendars will be distributed to local Companies and Non Profit Organizations throughout Northeast Ohio. Every artist who submits will receive 1 calendar and every selected artist will receive 2 calendars. You may contact AGC in January to inquire if additional calendars will be available.

For more information please contact Candice Champion at CandiceChampion@agcinc.org.

Thursday, July 22, 2010

52 Weeks 52 Works - 2011 AGC Desk Calendar Now Accepting Submissions



52 Weeks 52 Works is an annual desk calendar published entirely by Academy Graphic Communication highlighting the talent of Northeast Ohio (NEO) Artists.

The deadline for submission is September 1, 2010

We are amidst the production of the 8th annual desk calendar and we need your talent! Any artist living and working in NEO is eligible (nudity and explicit imagery are restricted). If you are interested or if you know any one who may be interested please forward this information along. All submissions must be accompanied by a 2011 submission form (please click on the submission form image below to print a copy).



Upon completion of the calendar every participating artist will receive 2 copies along with your returned submission. You will see first hand the impressive results achieved when combining the versatility of eco-friendly print communication with the unique talent of NEO’s local artists.

If interested or for more information please contact Candice Champion at CandiceChampion@agcinc.org or 216-661-2550

Wednesday, July 14, 2010

Is Digital Media Worse for the Environment Than Print?

MediaShift environmental correspondent Don Carli is senior research fellow with the non-profit Institute for Sustainable Communication (ISC).

Public opinion polls show that concern about the environment rises and falls based on the state of the economy and other factors, but concern about the negative impacts associated with using paper and printing continues to rise. Nothing captures the essence of these feelings more vividly than the signature line appearing at the foot of more and more emails: "Please consider the environment before printing this email."

This seemingly well-intentioned call to action, as well as others like "Sign up for paperless billing, help the environment and save trees" confront consumers with a false dilemma and present a forced choice that may have unintended consequences. The false dilemma is: "By using paper to print your email or by receiving paper bills you are knowingly degrading the environment, destroying forests and/or killing trees." The forced choice is: "Eliminate your use of paper or feel like a guilty hypocrite."

What's implied is that digital media is the environmentally preferable choice and that print media is the environmentally destructive choice. But is it possible that digital media could be more destructive to the environment and a greater threat to trees, bees, rivers and forests in the United States than paper-making or printing?

A heightened sense of awareness about the environment has developed in recent years. In particular, feelings of guilt and concern are on the rise about the use of paper and its alleged impact on the fate of our trees, forests and the environment. Are these feelings justified?

The story of sustainable media is a "bad news/good news" story. The bad news is that the public's concern about our forests and the environment is justified. The good news is that seeing beyond the green rhetoric and rethinking the lifecycle impacts of both print and digital media will play a major role in allowing us to enjoy forests and conserve our environment.

DIGITAL DEFORESTATION
There is growing recognition that digital media technology uses significant amounts of energy from coal fired power plants which are making a significant contribution to global warming. Greenpeace estimates that by 2020 data centers will demand more electricity than is currently demanded by France, Brazil, Canada, and Germany combined. What is less widely known is that mountaintop-removal coal mining is also a major cause of deforestation, biodiversity loss, and the pollution of over 1,200 miles of headwater streams in the United States.

If your goal is to save trees or do something good for the environment, the choice to go paperless may not be as green or simple as some would like you to think.

Digital media doesn't grow on trees, but increased use of digital media is having a profoundly negative impact on our forests and the health of our rivers. Computers, cellular networks and data centers are connected to the destruction of over 600 square miles of forest in the U.S. One of the more significant direct causes of deforestation in the United States is mountaintop-removal coal mining in the states of West Virginia, Kentucky and North Carolina.

America's adoption of networked broadband digital media and "cloud-based" alternatives to print are driving record levels of energy consumption. According to the U.S. Department of Energy, the electricity consumed by data centers in the United States doubled from 2000 to 2006, reaching more than 60 billion kilowatt hours per year, roughly equal to the amount of electricity used by 559,608 homes in one year. According to the EPA that number could double again by 2011.

Chances are that the electricity flowing through your digital media devices and their servers is linked to mountaintop-removal coal from the Appalachian Mountains. The Southern Appalachian forest region of the U.S. is responsible for 23% of all coal production in the United States and 57% of the electricity generated in the U.S. comes from coal -- including the rapidly growing power consumed by many U.S. data centers, networks and consumer electronic devices.

HOW GREEN IS YOUR DIGITAL MEDIA?
To find out how much of the energy you use comes from mountaintop coal you can visit What's My Connection to Mountaintop Removal? an interactive tool built by the non-profit organization Appalachian Voices. By entering your ZIP code it allows you to see if the electricity you are buying came from a coal mine employing mountaintop removal.

If you thought you were saving forests and protecting the environment by going paperless...think again. The real dilemma you face is that you may be doing more to cause environmental degradation and deforestation by going paperless than you think, and making responsible choices requires informed decisions and rational tradeoffs.

Coal-powered digital media is destructive to the environment in many ways beyond deforestation. Coal fired power plants are responsible for 93% of the sulfur dioxide and 80% of the nitrogen oxide emissions generated by the electric utility industry. These emissions cause acid rain that is destroying red spruce forests in the Northeast and Appalachia, and killing brook trout and other fish species in the Adirondacks, upper Midwest and Rocky Mountains.

According to a paper published in the journal Science, researchers found that recent scientific studies showed mountaintop coal mining does irreparable environmental harm. The researchers said their analysis of the latest data found that such mining destroys extensive tracts of deciduous forests while also hurting fish and plant life.

The widespread practice of mountaintop removal has been described as "strip mining on steroids" in which forests are clear-cut and topsoil is scraped away. Next, explosives up to 100 times as strong as ones that tore open the Oklahoma City Federal building blast up to 800 feet off the mountaintops and then dump tons of "overburden" -- the former mountaintops -- into the narrow adjacent valleys, thereby creating "valley fills."

The U.S. Fish and Wildlife Service estimates that mountaintop removal's destruction of West Virginia's forests buried over 1,500 miles of biologically crucial Appalachian headwaters streams, disrupted key nesting habitat for migrant bird populations and decreased migratory bird populations throughout the northeast United States. The Office of Surface Mining reports that more than 1 million acres of land in northern and central Appalachia were undergoing active mining operations as of 2004. In some areas of West Virginia, more than 25% of the land surface is under permit for current or future mountaintop removal.

GO TELL IT ON THE MOUNTAIN
It's somewhat ironic that print media and the paper-making industry are so often targeted for "killing" trees while digital media is so often characterized as the greener "environmentally friendly" alternative. While its record is by no means perfect, the North American forest products industry has made great strides in the adoption of sustainable forestry and environmental performance certification practices. In addition, the majority of the U.S. paper industry's power and electricity needs are derived from renewable biomass that is sourced from sustainably managed forests. On the other hand, digital information technology's dependence on coal-powered electricity that is derived from mountaintop removal goes largely unreported.

If you care about the environment and the health of forests you should become more informed about the energy sources used by both digital and print media. Research recently published by Bell Labs concluded that today's Information and Communication Technology (ICT) networks have the potential to be 10,000 times more efficient than they are today. In fact, they can also be powered by forest bio-refineries that sustainably produce energy, biofuels, polymers, and paper with renewable forest biomass.

Forest biomass can provide valuable baseload capacity for more intermittent renewable energy sources, such as wind and solar. When you purchase paper, you should consider if the brands you buy are investing in the development of renewable energy projects that employ sustainable forest biomass and close-loop water recovery processes that protect the quality of water in our rivers. This resource guide from the World Business Council for Sustainable Development can help you in choosing paper products.

THE UNSEEN IMPACTS OF DIGITAL MEDIA
Just because we cannot see something doesn't mean that it doesn't exist. While paper mills emit visible plumes of steam and waste paper can pile up visibly in our homes and businesses, the invisible embodied energy or "grey energy" used to manufacture digital technologies and the toxic e-waste associated with electronics are largely out of sight and out of mind, but their impacts can be profound.

E-waste

According to MIT researcher Timothy Gutowski (as quoted in Low-Tech Magazine), manufacturing a one kilogram plastic or metal part requires as much electricity as operating a flat screen television for 1 to 10 hours. And the energy requirements of semiconductor manufacturing techniques are much higher than that, up to 6 orders of magnitude (that's 10 raised to the 6th power) above those of conventional manufacturing processes. In addition to considering the way digital media can create new possibilities for a better world we also need to consider the less obvious impacts of the purchased energy, embodied energy, dark content and e-waste associated with the growing use of digital media.

INFORMED CHOICES SAVE TREES
Centuries ago the widespread adoption of paper and printing resulted in a spread of literacy that ended the dark ages, spawned a renaissance and changed our world for the better. Despite these advances, our environment now faces challenges on many fronts that call for a new literacy about the state of the environment and the "hidden" lifecycle impacts of the media choices we make. The widespread adoption of sustainable print and digital media supply chains can change our world again and help us to restore our environment. On the other hand, if we allow ourselves to be misled by false dilemmas or deceived into making unsustainable choices, distal concerns about destruction of the environment and the decline our forests will soon become a harsh and uncomfortable reality.

Image of e-waste by Jason Schlachet via Flickr
MediaShift environmental correspondent Don Carli is senior research fellow with the non-profit Institute for Sustainable Communication (ISC) where he is director of The Sustainable Advertising Partnership and other corporate responsibility and sustainability programs addressing the economic, environmental and social impacts of advertising, marketing, publishing and enterprise communication supply chains.

Tuesday, March 9, 2010

What's the difference between FSC & SFI?

SFI and FSC Certification in North America — A Summary Comparison

The Sustainable Forestry Initiative Inc.® (SFI®) and Forest Stewardship Council (FSC) programs both certify lands in the United States and Canada. This document looks at both programs — their scope and governance, forest management certification, chain-of-custody-certification, and requirements for sourcing fiber from uncertified lands. Studies have shown buyers and consumers appreciate the value of forest certification to help them choose forest products from responsible sources. Currently, about 10 percent of the world’s forests are certified, and 40 percent of these certified lands are in North America.

GOVERNANCE AND SCOPE


FOREST MANAGEMENT CERTIFICATION
These tables are based on requirements from the SFI 2010-2014 Standard and general information and details from the FSC International Principles and Criteria, which is the basis for the numerous FSC national and regional standards. While FSC regional standards go into more specifics, it is difficult to draw comparisons because the 13 FSC standards in North America have a wide range of variation.

The SFI program was created to certify forests in North America, and has one forest certification standard that applies across the United States and Canada. Its fiber sourcing and chain-of-custody standards apply to North America and offshore sources, given the global trade of forest products.



CHAIN-OF-CUSTODY CERTIFICATION
In addition to third-party forest certification, the SFI and FSC programs both offer chain-of-custody certification and on-product labels. Chain-of-custody certification is a tool used to track wood fiber from a certified forest. It also tracks uncertified content and helps buyers avoid unwanted sources.

The SFI program has two chain-of-custody labels, which show that some or all of the product’s fiber content comes from forests certified to the SFI, Canadian Standards Association or American Tree Farm System standards. Both SFI labels can state the percentage of recycled content in the product, when available.

The FSC program has three chain-of-custody labels — pure (100 percent certified), recycled (at least 85 percent post-consumer) and mixed (blend of pure, recycled and controlled sources).

Both SFI and FSC have requirements to avoid fiber from unwanted sources — the SFI program through its controversial sources avoidance requirements and the FSC program through its controlled wood requirements.



GLOBAL SOURCING FROM UNCERTIFIED LANDS
Given that more than 90 percent of the world’s forests are not certified, the SFI and FSC programs both have requirements to account for and deal with fiber from higher-risk uncertified lands. Through FSC controlled wood requirements, SFI fiber sourcing and SFI chain-of custody global requirements, companies are told what to avoid when procuring fiber from lands that are not certified. This reduces the risk of fiber from unwanted sources, but does not improve forest management on uncertified lands.

AVOIDING UNWANTED SOURCES FROM UNCERTIFIED LANDS OUTSIDE NORTH AMERICA


SOURCING FROM UNCERTIFIED LANDS IN NORTH AMERICA
The SFI program is unique in that it also has fiber sourcing requirements that promote responsible forest management on uncertified lands in North America, as well as avoiding unwanted sources for offshore procurement. This includes fiber and forest products that come from millions of family-owned forests in the United States and Canada. The SFI program offers participants an on-product certified fiber sourcing label that tells consumers the company has been third-party certified to
meet SFI fiber sourcing requirements, many of them summarized below. These labels do not make claims about certified forests but do show that a third-party independent audit has occurred to ensure the fiber sourcing requirements, landowner outreach and logger training requirements, among others, have been met.

PROMOTING RESPONSIBLE FORESTRY ON UNCERTIFIED LANDS IN THE U.S. AND CANADA


RECOGNITION IN NORTH AMERICA AND BEYOND
Comprehensive studies by many respected organizations and agencies have concluded that certification to either the SFI or FSC program is a good choice, proving a forest is being managed sustainably and legally. There is a growing trend, especially with chain-of-custody certification, to be certified to both programs.
• In 2008, the United Kingdom’s Central Point of Expertise on Timber confirmed SFI, FSC, the Canadian Standards Association (CSA) and the Programme for the Endorsement of Forest Certification schemes (PEFC) programs were among those that meet its government’s requirements for ‘legality’ and ‘sustainability’.15

• The U.S. General Services Administration encourages the use of certified wood for all new installations of wood products, and references FSC United States and SFI for more information.16

• Many green building tools, including the National Home Building Standard™ (ICC 700-2008) in the United States and Green Globes, recognize wood products certified to credible programs including SFI, FSC, CSA, and American Tree Farm System as a sound environmental choice.

• Public Works and Government Services Canada requires all wood products used in its building projects to be certified to SFI, FSC, or CSA, and believes all three of these systems effectively promote more sustainable management of Canada’s forest resources.17

• In 2008, the Canadian Council of Forest Ministers said the SFI, FSC and the CSA programs “demonstrate, and promote the sustainability of forest management practices in Canada.”18

SOURCE, CITATIONS and FOR MORE INFORMATION: Sustainable Forestry Initiative (SFI)Forest Stewardship Council (FSC) International
15 CPET Assessment of Forest Certification Schemes www.proforest.net/cpet/documents
16 Solicitation for Offers requirement SFO Section 7.4 Wood Products (revised August, 2008) http://contacts.gsa.gov/webforms.nsf/0/16A3F7C2E0044E4485256F4D00628BE3/$file/SFO_8-29-08.pdf
17 Public Works and Government Services Canada Questions and Answers http://www.tpsgc-pwgsc.gc.ca/biens-property/questions-eng.html
18 Canadian Council of Forest Ministers Statement on Forest Certification Standards in Canada www.sfmcanada.org/CMFiles/PublicationLibrary/CCFM_Statement_Forest_Certification_EN1KWA-24122008-5150.pdf
19 UN Economic Commission for Europe and UN Food and Agriculture Organization 2008-2009 UNECE/FAO Forest Products Annual Market Review http://timber.unece.org/index.php?id=208

Wednesday, March 3, 2010

Magazine Publishers of America -Twenty Tweetable Truths

The Twenty Tweetable Truths About Magazines. 20 facts that showcase magazine vitality, 140 characters or less.



1. Magazine readership remains steady in an increasingly crowded and noisy media landscape.

2. 92% of U.S. adults read magazines.

3. Magazine readers pay attention to magazine ads. They don’t pay to avoid the advertising as they do with other media.

4. Consumers spend more than $86 million each week on single-copy magazines.

5. Subscriptions to magazines are on the rise. 2007: 322 million paid subscriptions. 2008: 325 million paid subscriptions.

6. Magazine subscriptions increased in the first half of 2009.

7. New magazines continue to be launched. The latest figures show that magazine launches surged 10% in the first part of 2009 from the prior year.

8. Magazines covers chronicle key events. President Obama’s election resulted in dozens of covers with him, his family....and even his dog.

9. Who says that iPod-dependent teenagers have abandoned magazines? 75% of teens read magazines.

10. Magazines appeal to younger adults. Adults 34 and younger read more magazines than adults +34.

11. Over the past 5 years, the median age of magazine readers has remained consistently younger than the median age of total U.S. adults.

12. 54 magazines closed in 2008. A decrease of 17% from 2007.

13. Magazines love the Internet. Almost a quarter of all new subscriptions come from the Internet.

14. Magazines build buzz. They excel in reaching people who shape attitudes and behavior.

15. The top 25 magazines reach more adults and teens than the top 25 prime-time TV programs.

16. Circulation generates more than 40% of all magazine revenue.

17. The number of consumer magazine websites grew 78% between 2005 and 2009.

18. Magazines excel at long-form journalism, superb photography, eye-catching design.

19. Consumers buy more magazines when there’s big news. Michael Jackson-themed magazines in July drove an extra $55 million in sales.

20. Magazines drive web search more than any other medium. More than double Internet advertising and social media.

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Monday, March 1, 2010

Magazines Team Up to Tout 'Power of Print'

As Pickup in Ad Sales Boosts Their Confidence, Publishers Point to Strengths They Say Remain Relevant in Internet Age.
By RUSSELL ADAMS and SHIRA OVIDE

Magazine executives spent much of last year telling anyone who would listen that they were taking their brands digital.

Their message this year: Print rules.













Young & Rubicam
Olympic medalist Michael Phelps is pictured above in the first of a series of ads promoting the power of magazines.
Five leading magazine publishers have pitched in on a multimillion-dollar ad campaign touting the "power of print." They say nearly 1,400 pages of the ads will be sprinkled through magazines including People, Vogue and Ladies' Home Journal this year.


The ads press the case that magazines remain an effective advertising medium in the age of the Internet because of the depth and lasting quality of print, compared with the ephemeral nature of much of the Web's content.

"The Internet is fleeting. Magazines are immersive," says one ad, which is slated to appear in May issues of the participating publications. The first spread features a photo of swimmer Michael Phelps from ESPN The Magazine, with the headline "We surf the Internet. We swim in magazines."

Backing the campaign are Time Warner's Time Inc., Hearst, Advance Publications' Condé Nast, Wenner Media and Meredith. The ads were created by WPP's Young & Rubicam.

The effort is scheduled to be announced Monday at an industry conference in San Francisco.

Just a few months ago, a handful of publishers announced another collaborative effort aimed at readying magazines for the migration of readers to digital devices. Since then, however, industry executives say advertising has begun creeping back into magazines after a two-year drought. The improved results have given them more ammunition to persuade readers and advertisers alike that the ink-on-paper business isn't dying.

"A lot of us sat back for way too long and listened to all this abuse and said nothing about it," says Jann Wenner, who orchestrated the campaign. "Meanwhile, we sit on top of one of the greatest mediums," adds Mr. Wenner, whose Wenner Media publishes Rolling Stone and US Weekly.

The five publishers say they have committed to run the first of the ads in the front one-fifth of their titles' pages, and have agreed to run all subsequent ads in the first half.

The ad space they are devoting to the campaign is valued at more than $90 million, based on public ad rates for each of their participating magazines. They say they have never before attempted such a large-scale campaign.

The spark for the campaign was a "manifesto" Mr. Wenner penned last year, in which he said that just as TV didn't kill magazines, the Internet was a threat only to publications that lost focus on what makes magazines unique. "In a certain way, this campaign is aimed at the magazine business itself," Mr. Wenner.

That the campaign might seem out of sync coming from an industry that has spent so much time trying to prove it can hold its own in the digital arena is beside the point, executives involved in the collaboration say. The purpose of the campaign is to remind people that these brands are rooted in print products with huge cultural and commercial influence, they say.

"Going digital is very important to Time Inc., but I don't want my clients to believe that no one is reading the printed word," says Time Inc. Chief Executive Ann Moore.

Even so, the Internet is expected to continue attracting a growing proportion of ad dollars away from traditional media. The share of global ad spending devoted to the Internet will rise to 16% by 2012, up from 12% last year, according to ZenithOptimedia, part of ad company Publicis Groupe. By the middle of the next decade, the firm expects the Internet to overtake newspapers as the world's second-largest advertising medium, behind TV.

Magazines' challenge is to be ahead of the digital curve while recognizing that for now print is their best asset, ad buyers say. Magazines are grappling with how to adjust to new devices like Apple's iPad, the tablet computer that is sparking fear but also enthusiasm in the media business.

"The iPad is bringing sexy back to magazines," says Robin Steinberg, an executive at Publicis's MediaVest arm who advises marketers on print advertising.

Amid a decline in spending on traditional media, other industries are making similar pitches for themselves. The Newspaper Association of America has run repeated ads to publicize the number of people who read a daily newspaper. As with the magazine campaign, the newspaper trade group says its ads are designed to counter the notion print is a dead medium.

The local-TV industry's trade group is starting an on-air ad campaign this month to encourage companies to advertise on their local TV stations.

The Internet Advertising Bureau couldn't be reached for comment.

The Michael Phelps ad is accompanied by an essay about the appeal of magazines. "Even in the age of the Internet, even among the groups one would assume are most singularly hooked on digital media, the appeal of magazines is growing," the ad says. The publishers point to data from Mediamark Research & Intelligence that show magazine readership has risen 4.3% over the past five years.

There are seven spreads in the series, four of which are essay-like and three that are more lighthearted. The campaign's signature is "Magazines: the Power of Print,'' with each letter of the word magazines appearing as it does in the title of a major publication. The "a'' is from Vanity Fair.

Source

Tuesday, February 23, 2010

QR Codes > Link Print with Your Online Message


By now you've probably seen these distinctive black and white squares appearing on printed pieces - from posters to magazine ads, direct mail to product packaging. These squares are a 2-dimensional bar code that link the printed piece you're viewing to additional information via the Web (i.e a URL address).

QR stands for "Quick Response." If you have a smart phone you can to download a QR Code Reader App, scan the QR Code with your phone's camera, and within seconds you'll be re-directed to a Website or other online promotion. Once you've been re-directed you can click to jump online content, save the URL in your "favorites" folder, dial the phone or download additional information.



QR Codes can increase the impact of your print materials.

AGC has just launched a Direct Mail campaign in collaboration with International Paper called "Down to Earth." The first issue "How does using paper lead to more trees?" should be arriving in your mail box soon. The interior card includes a QR Code for you to scan - check it out and let us know what you think.

Tuesday, January 26, 2010

Print Pays Off - A Down to Earth Look at Environmental Issues & Trends

Doing business requires maintaining a balance among economic, environmental and social needs. Printing on paper meets those criteria. It's a way to drive business in a renewable way - to be more effective in your communications and to be more sustainable. It's worth printing if you incorporate environmental stewardship in your business, encourage your suppliers and customers to do the same and use printed materials wisely.

According to the latest research on advertising, printed communications are making a significant contribution to the economy and have a positive impact on business. Statistics show the following:

- Campaigns combinging direct mail and internet yield up to an additional 25% response rate.

- Nearly 80% of households either read or scan advertising mail sent to their household.

- Direct mail gives advertisers a whopping 13-to-1 return on their investment.

- Nearly 80% of internet users surveyed said they were directly influenced to purchase an item or service because of direct mail.

- Brand recall is substantially higher using print vs. onscreen. On-screen information is 20 to 30 percent more difficult to read.

- Small and medium businesses still rely on newspaper and magazine articles (43.6%) and direct mail, including letters, postcards and catalogs (43.5%) to get results.


Used wisely, print can drive revenue and be a valuable part of a smart media mix. That's why, for example, U.S. advertisers spend $167 per person in direct mail marketing to earn $2,095 worth of goods per person. They're scoring a return on investment of 13 to 1. With the right mix, it's worth printing.

Sourced from International Paper Company, 2010 edition of "Down to Earth." The full issue is available by visiting IP Sustainability

Friday, January 8, 2010

52 Weeks 52 Works - 2010 AGC Desk Calendar Now Available



Designed, Printed and Distributed by AGC The Creative Advantage, the 2010 edition of 52 Weeks 52 Works is now available.

Academy Graphic Communication’s (AGC) annual desk calendar has served as a stage for the creative community of Northeast Ohio for the past 8 years. This calendar seeks to demonstrate the power of expressing ideas effectively through print and the myriad of collaborative opportunities available with Northeast Ohio’s creative community. The collection represented ranges from sculpture to painting, photography to ceramics.

52 weeks 52 Works was printed utilizing environmentally-friendly, FSC and SFI certified paper containing both recycled content and post consumer waste. The print production techniques are water based, minimizing dependency on volatile organic compund (VOC) laden chemicals. And the inks and coatings used throughout are vegetable-and soy-based, increasing their biodegradalbe nature and ease of recycling.

AGC recognizes that environmental sustainability is a community-wide effort. We seek to showcase local resources, to create greater awareness of the eco-friendly options available within our community and highlight how innovative, forward-thinking individuals and groups can draw on each other’s expertise to make a bigger difference together.

Through our unique efforts, AGC has stayed committed to the renewable print medium and its potential to make a difference in people’s lives while demonstrating how environmental issues can be proactively addressed.

To obtain a copy of 52 Weeks 52 Works please email us today!